Experimental dance short film that I both directed and composed music for. It explores Fibonacci patterns in the landscape, in the movement of a human flock - and also in the music.

I based the composition on the Fibonacci numbers which I applied to the harmony and also the rhythm (13/8 time). On top of cello, violin and cajon, I used the significant sounds of kalimba, grass whistling and my favourite nail violin. Despite the experimental nature I tried to keep the resulting score "listenable".

Fibonacci was screened in over 50 festivals on all continents (except Antarctis).

Five stories from five towns built by Bata shoe company in 1920s around the world.

The score is based on the sound of a vintage Rhodes piano and a jazzy feel, with the motifs varying from story to story.

I invited Sam Hagmann a.k.a SHA music, a Swiss-based multi-instrumentalist, to play the solo trumpet on the title theme.

An animated slapstick by Alžběta Burešová stars a vicious shadow and its owner.

I took inspiration from the "dirty geometric" aesthetic of the visuals - the score is based on lo-fi synths and some weird acoustic sounds in a groovy tune.

Five part satirical comedy series about the Czech Republic sending astronauts to the Moon.

Full orchestra in hollywood style using variations on Czech anthem.

One woman, two husbands, four children, seven pigs and a herd of goats surviving on the last farm in the modern district of Kiev.

I used violin, double bass, accordion and lot of manipulation with sound samples extracted from the film.

In 2015, together with violinist Vilém Řiháček we joined the director Jiří Stejskal for a film tour around Ukraine, performing live after the screenings.

Salt shaker, Sugar bowl, and other helpers set out to fix what the forgetful grandma accidentally messed up.

In the music I used probably all existing kitchen tools, including the mighty egg slicer.